[M975.Ebook] Ebook Free Counterparty Credit Risk, Collateral and Funding: With Pricing Cases For All Asset Classes, by Damiano Brigo, Massimo Morini, Andrea Palla

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The book’s content is focused on rigorous and advanced quantitative methods for the pricing and hedging of counterparty credit and funding risk. The new general theory that is required for this methodology is developed from scratch, leading to a consistent and comprehensive framework for counterparty credit and funding risk, inclusive of collateral, netting rules, possible debit valuation adjustments, re-hypothecation and closeout rules. The book however also looks at quite practical problems, linking particular models to particular ‘concrete’ financial situations across asset classes, including interest rates, FX, commodities, equity, credit itself, and the emerging asset class of longevity.

The authors also aim to help quantitative analysts, traders, and anyone else needing to frame and price� counterparty credit and funding risk, to develop a ‘feel’ for applying sophisticated mathematics and stochastic calculus to solve practical problems.

The main models are illustrated from theoretical formulation to final implementation with calibration to market data, always keeping in mind the concrete questions being dealt with. The authors stress that each model is suited to different situations and products, pointing out that there does not exist a single model which is uniformly better than all the others, although the problems originated by counterparty credit and funding risk point in the direction of global valuation.

Finally, proposals for restructuring counterparty credit risk, ranging from contingent credit default swaps to margin lending, are considered.

• Sales Rank: #977256 in Books
• Published on: 2013-04-22
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x 1.23" w x 6.90" l, 2.05 pounds
• Binding: Hardcover
• 464 pages

From the Inside Flap
"This book could rightly be called The Encyclopaedia of Credit Value Adjustments, although it is both more detailed and more pleasantly readable than an encyclopaedia. It is the one-stop CVA (and more) reference for practitioners and academics alike." (This endorsement is a personal opinion and does not represent the view of the Financial Services Authority)--Dirk Tasche, Technical Specialist, Risk Specialists Division, Financial Services Authority
"There are many books in Finance. This one is different. It focuses on CVA (Credit Valuation Adjustment), a topic related to counter party risk. The first chapter alone is worth the price of the book. This chapter is an�'extended dialogue,' where Brigo uses a question and answer format to teach, in an entertaining manner, a lot of the fundamental ideas, as well as the jargon with its alphabet-city innumerable acronyms, of modern financial mathematics, both as it is practiced in industry and in academia. His approach is creative and original; it could be acted out by two performers in front of a live audience. The book is urgently needed at a time when credit risk has emerged as the issue of the times."--Professor Philip Protter, Professor of Statistics, Statistics Department, Columbia University
"This impressive book covers an important and highly complex area of quantitative finance dealing with counterparty credit risk. It covers many vital topics and demonstrates in great detail how to compute Credit, Debt, and Funding Value Adjustments. Written by some of the best experts in the field, it provides important insights in its subject matter, which will be of great value for practitioners, academics, and regulators."--Alexander Lipton, Co-Head of Global Quantitative Group at Bank of America Merrill Lynch and Honorary Professor at Imperial College

From the Back Cover

Counterparty Credit Risk, Collateral and Funding: With Pricing Cases for All Asset Classes aims to help academic researchers, quantitative analysts and traders who need to frame and price counterparty credit and funding risk, to develop a feel for applying advanced mathematics and stochastic models to solve practical problems.

The book focuses on rigorous and advanced quantitative methods for the pricing and hedging of counterparty credit and funding risk. The new general theory that is required for this methodology is developed from scratch, leading to a consistent and comprehensive framework for counterparty credit and funding risk, inclusive of collateral, netting rules, possible debit valuation adjustments, re-hypothecation and closeout rules. The book also looks at practical problems, linking particular models to particular financial situations across asset classes, including interest rates, FX, commodities, equity, credit itself, and the emerging area of longevity / mortality risk. Several pricing examples and numerical case studies are presented. The implications for regulation, from Basel III to FASB and IAS, are also considered. The main models are illustrated from theoretical formulation to final implementation with calibration to market data. Finally, proposals for restructuring counterparty credit risk, ranging from contingent credit default swaps to margin lending, are discussed.

Written by authors who are methodology thought leaders both in industry and academia, Counterparty Credit Risk, Collateral and Funding is a must-have for anyone who is interested in expanding their mathematical knowledgebase and their understanding of counterparty credit models in order to accurately price and hedge a number of financial instruments.

About the Author

Professor Damiano Brigo is Chair of Mathematical Finance and co-Head of Group at Imperial College, London. Damiano is also Director of the Capco Research Institute. His previous roles include Gilbart Professor and Head of Group at King's College, Managing Director and Global Head of Quantitative Innovation in Fitch, Head of Credit Models in Banca IMI, Fixed Income Professor at Bocconi University in Milan, and Quantitative Analyst at Banca Intesa. He has worked on quantitative analysis of counterparty risk, interest rates-, FX-, credit- and equity- derivatives, risk management and structured products, and funding costs and collateral modelling. Damiano has published 70+ works in top journals for Mathematical Finance, Systems Theory, Probability and Statistics, with H-index 24 on Scholar, and books for Springer and John Wiley & Sons that became field references in stochastic interest rate and credit modelling. Damiano is Managing Editor of the International Journal of Theoretical and Applied Finance, and has been listed as the most cited author in Risk Magazine in 2006 and 2010. Damiano obtained a Ph.D. in stochastic filtering with differential geometry in 1996 from the Free University of Amsterdam, following a BSc in Mathematics with honours from the University of Padua.

Massimo Morini is Head of Interest Rate and Credit Models and Coordinator of Model Research at IMI Bank of Intesa San Paolo. Massimo is also Professor of Fixed Income at Bocconi University and was a Research Fellow at Cass Business School, City University London. He regularly delivers advanced training in London, New York and worldwide. He has led workshops on credit risk and the financial crisis at major international conferences. He has published papers in journals including Risk Magazine, Mathematical Finance, and the Journal of Derivatives, and is the author of Understanding and Managing Model Risk: A Practical Guide for Quants, Traders and Validators. Massimo holds a PhD in Mathematics and an MSc in Economics.

Andrea Pallavicini is Head of Equity, FX and Commodity Models at Banca IMI, where he has the responsibility of numerical algorithm's design, financial modelling and research activity. He is also Visiting Professor at the Department of Mathematics of the Imperial College London. Previously, he held positions as Head of Financial Models at Mediobanca and Head of Financial Engineering at Banca Leonardo, he worked also in aerospace industries and financial institutions. He has a Degree in Astrophysics and a Ph.D. in Theoretical and Mathematical Physics from the University of Pavia for his research activity at CERN laboratory in Gen�ve. Over the years he has written books in finance and he published several academic and practitioner-oriented articles in financial modelling, theoretical physics and astrophysics on major peer-reviewed journals. He teaches regularly at professional training courses and at Master and Ph.D. courses in finance at different Universities and private institutions. His main contributions in finance concern interest-rate and credit modelling, counterparty credit risk, and hybrid derivative pricing.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Lot if material, badly organised.
By Vittorio Apicella
Actually it seems more a collection of the results of various papers written in the topic than a teaching book. If you need to learn from the scratch get away, it's useless, if you already know the subject and wish to grasp the latest advances in the field this is the book for you.

0 of 0 people found the following review helpful.
Theory and Practice Go Hand in Hand
By js
Although the topic is continuously evolving, the authors manage to give a clear and wide presentation of the themes treated. The theory is supported by plenty of real market examples and implementation hints. A common denominators of many of the author works.

3 of 5 people found the following review helpful.
Stan Maydan
By Stanislav D. Maydan
Excellent Book. Many details on important new topics such as Funding Valuation Adjustment, and Wrong Way Risk. Very good introductory Q & A section as well.

See all 5 customer reviews...

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Counterparty Credit Risk, Collateral and Funding: With Pricing Cases For All Asset Classes, by Damiano Brigo, Massimo Morini, Andrea Palla PDF

Counterparty Credit Risk, Collateral and Funding: With Pricing Cases For All Asset Classes, by Damiano Brigo, Massimo Morini, Andrea Palla PDF

[Q714.Ebook] Ebook Free Mel Bay Isaac Albeniz: 26 Pieces Arranged for Guitar, by Stanley Yates

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Mel Bay Isaac Albeniz: 26 Pieces Arranged for Guitar, by Stanley Yates

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This comprehensive edition brings together all of the standard pieces in the adopted Albeniz "guitar repertoire" along with additional pieces that complete many of the suites and other groupings as published during the composer's lifetime. These solo arrangements were made while consulting the earliest editions of the piano originals, and are faithful to Albeniz tempo indications, dynamics, phrasing slurs, and other expression markings. The selections are: Pavana-Capriccio, Op. 12 (1992); Suite espanola, Op. 47 (1886); Recuerdos de viaje, Op. 92 (1888); Doce piezas espanolas, Op. 164 (1889); Espana, seis hojas de album, Op. 165 (1890); Serenata espanola (Cadiz, cancion), Op. 181 (1890); Mallorca, barcarola, Op. 202 (1890); Zambra granadina, danse orientale, WoO (1891); Cadiz-gaditana, WoO (1891); and Chants d'Espagne, Op. 232 (1891-1894). Carefully researched and meticulously fingered in the scholarly manner one would expect from Stanley Yates.

• Sales Rank: #1372445 in Books
• Published on: 1999-10-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .48" w x 8.50" l, 1.30 pounds
• Binding: Sheet music
• 192 pages

About the Author
Stanley Yates enjoys an accomplished career as a virtuoso performer and recording artist, arranger, scholar, and teacher. Described as one of an elite breed of guitarists ( Classical Guitar Magazine, England), praised for his musical instinct and brilliant technique (Suonare, Italy), and noted for the transcendent quality of his interpretation (Fort Worth Star Telegram, USA), Stanley's performances, recordings and editions have been received with wide critical acclaim. A past prize-winning performer in such prestigious competitions as the Myra Hess (London) and the Guitar Foundation of America, Stanley is regularly invited to present concerts, masterclasses, and lectures at leading music schools and festivals in both the United States and Europe. He has been dedicatee and/or first performer of music by such leading guitar composers as Stepan Rak, John Duarte and Angelo Gilardino, and has given first modern performances of such rediscovered works as the Premier Concerto by Ernest Shand and the Valsa Concerto by Heitor Villa Lobos. His recordings for Reference Recordings, Heartdance Music and Aeolian Recordings include chamber music, his arrangements of the Bach Cello Suites, and premiere recordings of music by Mario Castelnuovo-Tedesco, John Rutter, and other contemporary composers. His performance articles dealing with the music of such composers as J. S. Bach and Heitor Villa-Lobos have been published internationally, in six languages, in such journals as Il Fronimo, Gitarre & Laute, Gendai Guitar, 8 Sonoro, Soundboard and Classical Guitar. Stanley currently directs the guitar program at Austin Peay State University, home of Tennessee's Center of Excellence for the Creative Arts. The extraordinary Stanley Yates series features some of the most important publications in the guitar canon. Ranging from student-level works to virtuosic concert repertoire, these meticulously edited editions will satisfy the musical appetites of discriminating guitarists for generations to come. - Gerald Klickstein, Guitar Department Chair, North Carolina School of the Arts Stanley Yates performance editions, anthologies, graded repertoire series and original pedagogical materials comprise a singularly impressive and valuable contribution to the guitar community. He is one of the guitar world's brightest lights. - Stephen Aron, Oberlin Conservatory of Music, The University of Akron.

Most helpful customer reviews

23 of 23 people found the following review helpful.
Great arrangements by Yates--5 stars. Lousy printing/binding--1 star.
By E. Schnautz
The good. These Albeniz piano pieces are standards in the classical guitar repertoire. Stanley Yates' arrangements strive to remain faithful to Albeniz's intentions and to maintain accessibility for classical guitarists. He succeeds famously. His arrangment of Sevilla (for example) is lovely and--because he chooses to keep the main motive in the first position rather than the more common 12th--it's much more accessible than many needlessly more difficult arrangements. His take on the workhorse Asturias/Leyenda is similarly helpful. He provides good LH fingerings as well as peformance notes that include the reassuring observation that the rapid fire i-m droning was Segovia's invention and NOT Albeniz's. Along with this insightful comment, he offers alternative realizations of several passages. These aren't pieces for beginners, but it's exactly this kind of help that makes them accessible for us mere mortals. Thanks, Maestro.

The bad. The printing and binding are a mess. The first 18 measures of Asturias simply didn't get printed--something else is on the front of that page. (Thankfully, the beginning is esssentially the same as a later section ... I think.) Several other pieces suffered a similar fate--there are pages out of order and (worse) missing. Since the pieces I wanted--Sevilla, Malaguena and Tango--are intact, I won't return it, but how disappointing that Mel Bay would have done such a sloppy job with the printing.

0 of 1 people found the following review helpful.
Good quality. interesting history of albeniz
By Barton1404
Good quality. interesting history of albeniz. all the pieces I like--I just need to get busy...

0 of 4 people found the following review helpful.
Just what one would expect
By James Beall
What can one say about sheet music? This sheet music is sufficiently large as to be easily legible, with no unnecessary markings. It is well bound. Just what I expected. Generally, I am not sufficiently familiar with the various songs as to comment on the authenticity of specific arrangements.

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[O671.Ebook] Free PDF How to draw like a fashion designer: Tips from the top fashion designers, by Celia Joicey, Dennis Nothdruft

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A step-by-step guide for young people who enjoy clothes and want to learn the tools to help them express their fashion ideas on paper

Based on successful fashion-drawing workshops held at London’s Fashion and Textile Museum, here are practical drawing exercises that really work. Bold design, color-coded sections, and drawings that will translate to a sheet of paper make this a helpful and inspiring resource.

The book begins by looking at the sketchbooks of past and present designers to see how they developed their signature drawing styles. Then there are sections that show how to create a fashion template or croquis, including fashion proportions and how to turn a stick figure into a full figure; how to draw skirts, pants, jackets, and dresses on your fashion template; and how to develop your own collection, including the creation of complete outfits and seasonal looks. There's a section that looks at the design process from creating a mood board and following a brief to developing a collection as well as a reference section with lists of technical terms, garment styles, and fabric types.

�

Illustrated in color throughout

• Sales Rank: #791522 in Books
• Brand: Joicey, Celia/ Nothdruft, Dennis
• Published on: 2013-09-23
• Original language: English
• Number of items: 1
• Dimensions: 11.80" h x .50" w x 9.10" l, 1.10 pounds
• Binding: Paperback
• 96 pages

Review
“More detailed sketching instruction, and short-response interviews with fashion designers such as Anna Sui, and Valentino, target the career minded student.” (School Library Journal)

“Celia Joicey and Dennish Nothdruft have assembled practical drawing exercises from workshops held at London’s Fashion and Textile Museum.” (Woman Around Town)

“This accessible book provides ‘Inspiration’ by including interviews with and illustrations by well-known designers such as Zandra Rhodes, Christian Lacroix, and Anna Sui. Drawing basics are covered step-by-step from choosing medium, to sketching a “croquis” (figure shape), to successfully rendering shapes and details. The final section takes readers through the stages utilized by professionals [to create] a fashion collection.
” (School Library Journal (online))

About the Author
Celia Joicey is Head of the Fashion and Textile Museum, London.

Dennis Nothdruft is Curator of the Fashion and Textile Museum,� where he leads the museum’s series of drawing classes for young people. He lives in London.

Most helpful customer reviews

4 of 5 people found the following review helpful.
Hands down the best fashion drawing book !
By Young Mensan BookParade
Hands down the best fashion drawing book !
“How to Draw Like a Fashion Designer” takes you on a journey of fashion illustration. An introduction to some famous illustrators and how they each developed their individualized techniques inspires! That is just the beginning, it doesn’t stop there ! It is onward to learn how to create your own croquis, draw and develop your own collection and the entire process from putting together your own mood boards to a range of possible jobs in the fashion industry. I must say that even the “how to draw clothing” section was easy to follow and super relevant to the type of clothes that I would wear and want to learn how to draw. Kids will be drawn to this book because it provides an engrossing array of everything you would want to know. I personally adore the fact that it mentions using different mediums for illustrating to get different effects. This book gets me so excited. It is not only very thorough in providing an accurate and informative approach to be a fashion designer but can be your reference book forever!

Review by Young Mensa Isabella Rose Taylor, age 12 (see [...] for her own fashion designs)

0 of 0 people found the following review helpful.
Inspiring!
By Teresa Rothman
Inspiring! Well laid out, drawn, and written!

0 of 0 people found the following review helpful.
Five Stars
By Helen B.
Grand daughter loved this!

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How to draw like a fashion designer: Tips from the top fashion designers, by Celia Joicey, Dennis Nothdruft PDF
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[H880.Ebook] Ebook Download Breastfeeding Management For The Clinician: Using the Evidence, by Marsha Walker

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Now in its third edition, Breastfeeding Management for the Clinician: Using the Evidence is a trusted compendium on breastfeeding for the practicing clinician. It provides a research-based approach to breastfeeding care by including literature reviews while covering the incidence, etiology, risk factors, prevention, prognosis and implications, interventions, expected outcomes, care plans, and clinical algorithms. Expanded to include new approaches to solving common and uncommon breastfeeding problems, the Third Edition discusses the political and social landscape of breastfeeding including new state and Federal laws and policies related to breastfeeding. Also explained and clarified are new revelations about infant sucking mechanics as seen under ultrasound presented as a combination of vacuum and compression. Breastfeeding Management for the Clinician: Using the Evidence, Third Edition provides both the problem solving approach busy clinicians need to resolve issues encountered in everyday practice and the evidence-based foundation they need to impact positive change in the workplace.

• Sales Rank: #178763 in Books
• Published on: 2013-06-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 7.00" w x 1.25" l, 2.10 pounds
• Binding: Paperback
• 630 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Everyone will learn alot from this excellent lactation resource
By L. Fountain
If health care providers and mothers all knew the incredible research findings in this essential reference, we wouldn't need state breastfeeding coalitions! The information about how cesarean section increases asthma and type 1 diabetes, the research on best practices with new dyads, the physiologic imperative for exclusive breastfeeding, the importance of sunlight for Vitamin D, and more: and that's just Chapter 1. Wonderful compilation of the evidence-base in a very digestible format.

2 of 2 people found the following review helpful.
Great book
By Karen D Laughlin
This is a great resource for all Lactation Consultants. It is very up to date and it is extremely informative.

1 of 1 people found the following review helpful.
Not the best textbook
By Amazon Customer
Some of the topics in this book are not explained very well. Not much information, very basic, I would recommend getting an additional text book to study.

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[F286.Ebook] Free Ebook Graffiti Kings: New York City Mass Transit Art of the 1970's, by Jack Stewart

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Graffiti Kings is the definitive book on New York's subway graffiti movement, an unprecedented creative explosion that occurred across the five boroughs during the 1970s. This rare, firsthand account of the birth of this movement is the first and only graffiti book to reveal what happened behind the scenes when writers put their lives on the line to grab a piece of fame from a faceless urban landscape.
Through personal interviews and over 275 full-color, previously unpublished photographs, the colorful origins of subway graffiti are brought to life. Legends such as Taki 183, Blade 1, Phase 2, and Co-Co 144, as well as the city officials who saw the writers as public menaces and their art as vandalism, give accounts of everyday struggles, each full of new advancements, excitement, and risk. Although author and photographer Jack Stewart maintained a low profile at the time, his work is now a graffiti-world legend: rumored to exist, seldom seen, a near-equivalent to the Dead Sea Scrolls.�Alongside archival photographs of everything from vibrant bubble-letter and 3-D pieces to the Holy Grail, the whole-train pieces, are maps, images, and ephemera that help fill out the complete story. A celebration in words and pictures of graffiti's golden age, Graffiti Kings is a book sure to be coveted by those fascinated and inspired by this uniquely American urban art form.

• Sales Rank: #714598 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 2009-05-01
• Original language: English
• Number of items: 1
• Dimensions: 9.13" h x 1.00" w x 7.75" l, 2.11 pounds
• Binding: Hardcover
• 224 pages

Features

• Used Book in Good Condition

About the Author
Jack Stewart, a painter, muralist, and art historian, first began to photograph graffiti as it made its transition from the streets to the subways. He was one of the first observers to understand the power and significance of tags, and he befriended and interviewed many of the writers who appear in this collection. This text is based on Stewart's doctoral thesis, and has been curated and edited by his wife, Regina Stewart.

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8 of 8 people found the following review helpful.
The origins of NYC graffiti art
By Graffiti Diplomacy
This amazing book is based on the doctoral thesis of artist and historian, Jack Stewart. It documents the early development of graffiti on the subways of New York, and examines it's distinguishable characteristics and emerging styles. It clearly demonstrates where the many common motifs found in today's graffiti, such as arrows, 3-D and clouds, originated from.

The book combines 275 full color, previously unpublished photographs with personal interviews of graffiti writers and newspaper articles of the time. The text is well researched, very informative and entertaining. This book is a celebration of graffiti's golden age in the 1970's and fills in a lot of early history. It is beautiful, very well made and is a must have for anyone serious about understanding how the graffiti art form has developed to where it is today. We love this book!!!

7 of 7 people found the following review helpful.
one of the best to date
By Cole T. Only
As a graffiti historian myself, I am always looking for books that deal with the history of graffiti on trains in America. I read Jack Stewarts dissertation (Subway Graffiti; An Acsthetic Study of Graffiti On The Subway System Of New York City 1970 - 1978) long before this book was published. Since it is from that dissertation this masterpiece was derrived, I was familiar with much of it already. However, the copy of the dissertation is in a basic typeset and the photos are poorly reproduced photocopies. With all that said, Graffiti Kings was a refresher course in the birth of Writing for me....in full color. Seeing it all again, this time in full color, made it a welcomed read, now for the 4th time (I read the dissertation 3 times). The fact that he begins with Philly is all but perfect as it lets the world know that what is known today as graffiti, or more accurately Writing, began in Philly. The remainder of the book takes you year by year through the development of the fundamentals of of how this culture began. Because Jack Stewart was not a writer, there is no bias. Anyone who is writes (does graffiti) or anyone interested in writing needs to have this book. It is hands down the best book on Writing (not just subway writing) since Subway Art.

4 of 5 people found the following review helpful.
finally a dope book drops.
By HOKESE
well what can i say.short and simple,this book is dope.worthy of your hard earned cash for sure.
full colour flick after flick,great interveiws,even some old graff that i hadnt seen,so for me this was a great delite.
being a huge fan of nyc graffiti,even more so subway nyc graff,this book scores a home run in my book.
i had been waiting for months to peep it,and it was well worth the wait.
also being a hardcover,you know this book will still be in top condition many years from now.
if you like/love any sort of ol school nyc graff,then dont miss out on this book.you will not be disapointed.
i cant even think of something i didnt like it,even the size of this book,fits snugg into your hands..lol.

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Great Fundamentals Of Insurance Planning Hard Cover Book

• Sales Rank: #831180 in Books
• Published on: 2013
• Binding: Hardcover

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3 of 3 people found the following review helpful.
Valuable Resource
By Edward J. Barton
This 2013 edition is huge, comprehensive and extremely dense. Written in as readable a prose as you could expect from a textbook, the book itself is still tough sledding, and the topical nature of the material means that the book will begin to be less relevant as time passes. For now, in 2015, it is relatively up to date and a valuable resource. The CD set is amazingly easy to listen to and summarizes the book well. Try to get them both together.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Good read. Worth the price.

1 of 2 people found the following review helpful.
Five Stars
By m1ll3
great text books, barely used and the learning supplementals were very helpful and unscratched.

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Optimize plant asset safety and reliability while minimizing operating costs with this invaluable guide to the engineering, operation and maintenance of rotating equipment

Based upon his multi-volume Rotating Equipment Handbooks, Forsthoffer’s Best Practice Handbook for Rotating Machinery summarises, expands and updates the content from these previous books in a convenient all-in-one volume. Offering comprehensive technical coverage and insider information on best practices derived from lessons learned in the engineering, operation and maintenance of a wide array of rotating equipment, this new title presents:

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• Sales Rank: #2175915 in Books
• Published on: 2011-06-17
• Original language: English
• Number of items: 1
• Dimensions: 11.02" h x 1.44" w x 8.50" l, 5.15 pounds
• Binding: Hardcover
• 672 pages

Review

"Plant engineers, operators, millwrights, and anyone associated with the safe and reliable operation of rotating machinery in a plant will find this book to be a very useful reference. The listing of best practices, lessons learned, and supporting materials obtained by the author over a 48-year time span during which he worked as a designer, end user, and consultant in the rotating machinery industry will be invaluable to those mentioned above." --IEEE Electrical Insulation Magazine, March/April

About the Author
President of Forsthoffer and Associates USA

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Roba como un artista presenta diez principios que ayudar�n a los lectores a descubrir su lado art�stico y a tener una vida mucho m�s creativa. Nada es original, dice el autor, as� que mejor acepta las influencias, instr�yete en el trabajo de los dem�s, reimagina y mezcla tu propio camino. ENGLISH DESCRIPTION When Austin Kleon, a young writer and artist, was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. Steal Like an Artist is an inspiring, hip, original, practical, and entertaining guide fi lled with new truths about creativity: Nothing is original, so embrace infl uence, collect ideas, and remix and reimagine to discover your own path.

• Sales Rank: #1006838 in Books
• Published on: 2012-10-01
• Original language: Spanish
• Number of items: 1
• Dimensions: 6.50" h x .40" w x 6.50" l, .60 pounds
• Binding: Paperback
• 144 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Inspirador y f�cil de leer y poner en pr�ctica
By Pierre Montana
F�cil de leer, din�mico y muy inspirador. Un libro para llevar consigo y poner en pr�ctica. Te abre los ojos de lo f�cil que es mejorar nuestro portafolio y sacar provecho de las herramientas de uso cotidiano. Totalmente recomendado.

0 of 0 people found the following review helpful.
Me encanto
By PablogoO
Principios esenciales y bien desarrollados, los gr�ficos ayudan mucho a desarrollar los puntos y relaja la vista. Fue f�cil de leer y muy entretenido. La traducci�n al espa�ol tiene algunos errores (por ser primera traducci�n).
Les recomiendo este libro.
Hay muchas cosas de este libro que me hubiera gustado me lo digan cuando ten�a 15 a�os.

0 of 0 people found the following review helpful.
Apparently stolen from a public library
By Pedro Luis Castillo
I knew that this book wasn't new but I didn't know that it belongs to a public library. Apparently this book was stolen from a public library.

Yo sab�a que este libro no era nuev, pero no sab�a que pertenece a una biblioteca p�blica . Al parecer, este libro fue robado de una biblioteca p�blica .

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• Sales Rank: #11625100 in Books
• Published on: 2010-07-27
• Binding: Paperback

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