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Mel Bay Isaac Albeniz: 26 Pieces Arranged for Guitar, by Stanley Yates
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This comprehensive edition brings together all of the standard pieces in the adopted Albeniz "guitar repertoire" along with additional pieces that complete many of the suites and other groupings as published during the composer's lifetime. These solo arrangements were made while consulting the earliest editions of the piano originals, and are faithful to Albeniz tempo indications, dynamics, phrasing slurs, and other expression markings. The selections are: Pavana-Capriccio, Op. 12 (1992); Suite espanola, Op. 47 (1886); Recuerdos de viaje, Op. 92 (1888); Doce piezas espanolas, Op. 164 (1889); Espana, seis hojas de album, Op. 165 (1890); Serenata espanola (Cadiz, cancion), Op. 181 (1890); Mallorca, barcarola, Op. 202 (1890); Zambra granadina, danse orientale, WoO (1891); Cadiz-gaditana, WoO (1891); and Chants d'Espagne, Op. 232 (1891-1894). Carefully researched and meticulously fingered in the scholarly manner one would expect from Stanley Yates.
- Sales Rank: #1372445 in Books
- Published on: 1999-10-01
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .48" w x 8.50" l, 1.30 pounds
- Binding: Sheet music
- 192 pages
About the Author
Stanley Yates enjoys an accomplished career as a virtuoso performer and recording artist, arranger, scholar, and teacher. Described as one of an elite breed of guitarists ( Classical Guitar Magazine, England), praised for his musical instinct and brilliant technique (Suonare, Italy), and noted for the transcendent quality of his interpretation (Fort Worth Star Telegram, USA), Stanley's performances, recordings and editions have been received with wide critical acclaim. A past prize-winning performer in such prestigious competitions as the Myra Hess (London) and the Guitar Foundation of America, Stanley is regularly invited to present concerts, masterclasses, and lectures at leading music schools and festivals in both the United States and Europe. He has been dedicatee and/or first performer of music by such leading guitar composers as Stepan Rak, John Duarte and Angelo Gilardino, and has given first modern performances of such rediscovered works as the Premier Concerto by Ernest Shand and the Valsa Concerto by Heitor Villa Lobos. His recordings for Reference Recordings, Heartdance Music and Aeolian Recordings include chamber music, his arrangements of the Bach Cello Suites, and premiere recordings of music by Mario Castelnuovo-Tedesco, John Rutter, and other contemporary composers. His performance articles dealing with the music of such composers as J. S. Bach and Heitor Villa-Lobos have been published internationally, in six languages, in such journals as Il Fronimo, Gitarre & Laute, Gendai Guitar, 8 Sonoro, Soundboard and Classical Guitar. Stanley currently directs the guitar program at Austin Peay State University, home of Tennessee's Center of Excellence for the Creative Arts. The extraordinary Stanley Yates series features some of the most important publications in the guitar canon. Ranging from student-level works to virtuosic concert repertoire, these meticulously edited editions will satisfy the musical appetites of discriminating guitarists for generations to come. - Gerald Klickstein, Guitar Department Chair, North Carolina School of the Arts Stanley Yates performance editions, anthologies, graded repertoire series and original pedagogical materials comprise a singularly impressive and valuable contribution to the guitar community. He is one of the guitar world's brightest lights. - Stephen Aron, Oberlin Conservatory of Music, The University of Akron.
Most helpful customer reviews
23 of 23 people found the following review helpful.
Great arrangements by Yates--5 stars. Lousy printing/binding--1 star.
By E. Schnautz
The good. These Albeniz piano pieces are standards in the classical guitar repertoire. Stanley Yates' arrangements strive to remain faithful to Albeniz's intentions and to maintain accessibility for classical guitarists. He succeeds famously. His arrangment of Sevilla (for example) is lovely and--because he chooses to keep the main motive in the first position rather than the more common 12th--it's much more accessible than many needlessly more difficult arrangements. His take on the workhorse Asturias/Leyenda is similarly helpful. He provides good LH fingerings as well as peformance notes that include the reassuring observation that the rapid fire i-m droning was Segovia's invention and NOT Albeniz's. Along with this insightful comment, he offers alternative realizations of several passages. These aren't pieces for beginners, but it's exactly this kind of help that makes them accessible for us mere mortals. Thanks, Maestro.
The bad. The printing and binding are a mess. The first 18 measures of Asturias simply didn't get printed--something else is on the front of that page. (Thankfully, the beginning is esssentially the same as a later section ... I think.) Several other pieces suffered a similar fate--there are pages out of order and (worse) missing. Since the pieces I wanted--Sevilla, Malaguena and Tango--are intact, I won't return it, but how disappointing that Mel Bay would have done such a sloppy job with the printing.
0 of 1 people found the following review helpful.
Good quality. interesting history of albeniz
By Barton1404
Good quality. interesting history of albeniz. all the pieces I like--I just need to get busy...
0 of 4 people found the following review helpful.
Just what one would expect
By James Beall
What can one say about sheet music? This sheet music is sufficiently large as to be easily legible, with no unnecessary markings. It is well bound. Just what I expected. Generally, I am not sufficiently familiar with the various songs as to comment on the authenticity of specific arrangements.
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