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Hitler at Home, by Despina Stratigakos
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A revelatory look at the residences of Adolf Hitler, illuminating their powerful role in constructing and promoting the dictator’s private persona both within Germany and abroad
Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the F�hrer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources.
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At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him.
- Sales Rank: #434480 in Books
- Published on: 2015-09-29
- Released on: 2015-09-01
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.00" w x 6.40" l, .0 pounds
- Binding: Hardcover
- 384 pages
Review
“Books about interior design often seduce but they rarely rattle. Hitler at Home, inarguably the powder-keg title of the year, accomplishes both in equal measure.”—Mitchell Owen, Architectural Digest (Mitchell Owen Architectural Digest)
"In a book of rich detail, Stratigakos lays out the complex and multilayered significance of the three main residences that Adolf Hitler once called home. She shows how their designs shed new light on the instrumental use of culture by the regime, and how sensationalized meanings were projected onto the structures from abroad both during and after the Nazi period."—Paul B. Jaskot, DePaul University; Center for Advanced Study in the Visual Arts, National Gallery of Art (Paul Jaskot, DePaul University 2015-03-06)
"Stratigakos convincingly argues that the production of Hitler’s domesticity was among the regime’s most successful propaganda campaigns, serving to transform Germany’s leader from odd bachelor to civilized statesman."—Karen Fiss, California College of the Arts (Karen Fiss, California College of the Arts 2015-03-10)
“Much has been written about Albert Speer’s monumental schemes, but this book offers a new perspective on architecture and design under the Third Reich . . . Many previously unpublished illustrations and floor plans appear in the book, testaments to how Hitler sought to use his homes to foster an image as statesman and man of culture.”—Michael Z. Wise, The Wall Street Journal (Michael Z. Wise The Wall Street Journal)
“Despina Stratigakos’s intriguinig book examines how successive remodelling of Hitler’s residences in Munich, Berlin and Berchtesgaden reflected both his changing self-image, and the evolution of his representation of the people.”—Neil Gregor, THES (Neil Gregor THES 2015-10-13)
“…combines meticulous research with elegance and wit: not qualities normally associated with biographers of Adolf Hitler… Original, perceptive and immaculately edited, Hitler at Home offers a splendidly unexpected angle.”—Miranda Seymour, Daily Telegraph (Miranda Seymour Daily Telegraph 2015-10-17)
“. . . A page-turner. Readers with an interest in Hitler’s personal life and in the effects of propaganda on international public sentiment will find this book fascinating.”—Felicia J. Williamson, Library Journal (Felicia J. Williamson Library Journal)
“Hitler at Home is a fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, The Times (Roger Moorhouse The Times 2015-11-14)
“Meticulously researched, richly detailed, and soundly argued.”—Martin Filler, The New York Review of Books (Martin Filler The New York Review of Books)
Shortlisted for the 2016 Wallace K. Ferguson Prize given by the Canadian Historical Association. (Wallace K. Ferguson Prize Canadian Historical Association 2016-03-21)
About the Author
Despina Stratigakos is professor of architecture at the University at Buffalo, State University of New York.
Most helpful customer reviews
17 of 18 people found the following review helpful.
You can't exactly love a book entitled Hitler at Home
By neil schmitz
You can't exactly love a book entitled Hitler at Home, but in the respect and interest categories this is indeed a five star production. I've looked into Ian Kershaw, Hitler, 1889-1936 Hubris, and there's no Gerdy Troost. I've looked into Ron Rosenbaum's Explaining Hitler, and there's no Gerdy Troost. We know the stories of Hitler's major architects, Paul Troost, Albert Speer, Leonhard Gall, we've seen the pillars and the steps, but what about Hitler's interior designers, those who stood or sat next to him looking at floor plans, discussing colors? Gerdy Troost, wife and widow of Paul Troost, herself an architect, also an interior designer, film maker, business woman, artist, eventually gay, was Hitler's soulmate in the construction of his domestic life. Biography talks about Geli Raubal, Hitler's niece, a suicide, and about Eva Braun, his Bavarian beauty, and generally overlooks Gerdy Troost, who had an intimacy with the Fuhrer no other woman, not even Winifred Wagner, attained. The Fuhrer and Gerdy poring over swaths, choosing flatware, talking about linen. Hitler is at home in Gerdy Troost's rooms. She's in official state photographs, on the famous Berghof porch with Goebbels and Ribbentrop or in the exhibition hall Hitler's curator. Stratigakos Hitler at Home is effectively a curatorial reading of Troost's design, certain rooms in certan places still existing. She engages other architects and designers, but it is Gerdy Troost's rugs and chairs that are before us beginning middle and end. It should quickly be said that Hitler at Home sustains an ongoing recognition of the other architecture and interior design in the Third Reich, festung und lager.
Hitler at Home is magisterial, probably the definitive scholarly work on this subject, and it has Hollywood drama, a protagonist whose name is not Hitler, Gerdy Troost, who has just died in her nineties, a defiant Nazi to the end. Lowlife scoundrels and idiot ideologues mount the stage
in Hitler at Home. The ironies that attend and involve the final demolition of Hitler's home in the Obersalzburg are brilliantly set forth. These episodes have a cinematic visuality and flow. We follow the American World War Two woman photographer, Lee Miller, as she and another photographer get into Hitler's Munich apartment. Turn the page. There she is, naked in Hitler's bathtub, showing us her bare shoulder. It is in some sense an epitome of certain sets of meaning in this complex study.
Neil Schmitz
31 of 36 people found the following review helpful.
Well researched book on largely ignored (but important) aspect of Hitler
By R. Mac
Upon discovering this book I was very excited.
Upon receiving it, and reading it, I was even happier. The book is packed with information (most of which I have never read previously) and all related to a largely ignored aspect of Hitler's rise to power, and his later control of power.
The early Hitler was perceived as a thug, loud-mouth, and trouble-maker.
Then, as this book details, through a deliberate campaign of misinformation, Hitler was shown in numerous books, articles, and other media in his various well-appointed homes. Certainly, THIS Hitler could not be a thug, loud-mouth, and trouble-maker? Right? The man in the artful images came across as wholly the opposite of his public perception.
And the public was, thus, fooled.
This type of misinformation campaign continues today with politicians. For example, before George W. Bush ran for president, a Texas ranch was purchased, and images were taken of Bush riding horses, wearing a cowboy hat, and being presented in a manner intended to appeal to voters — all in far contrast to the real man, who grew up surrounded by wealth and privilege. (Ronald Reagan also owned a ranch, but he purchased this many many years before running for president.)
So, the horror of Nazi Germany is not just a horror from long ago. Fooling the public is today very much alive and well, in all countries, America, too, and this books offers lessons for us all: be careful who you vote for; be careful of the distinction between propaganda and reality.
My only complaint with the book is the small format. I yearned for larger images.
11 of 13 people found the following review helpful.
A must read for collectors of this subject
By Ionia Froment
For all of those who have only seen the one side of Hitler, represented in popular media, this book will be a real eye-opener.
I was greatly impressed with this book. The author could have chosen to go a lot of different ways with this, and I have great respect for the route she chose. I felt, whilst reading this, that she chose to remain as impartial as possible. Rather than trying to make the audience see the softer side of this man, or try to paint him in an overall different light, she let the facts and historical documentation speak for itself. Neither making him look bad, nor good, just--human.
I was surprised to read much of this book, as I had not realised before what an important role his homes had played in his life. Nor had I realised what a big part of his life Gerdy Troost was. I found the chapter on what happened to her after the fall of the Reich fascinating.
This book allows the reader inside a private world of long ago, and offers them the chance to see first hand the insecurities, nuances and personality quirks of one of history's most infamous men.
There are many photos that I have not seen elsewhere, and a lot of information that was more than just a simple repeat. If this is a subject that interests you, you can't go wrong with this book.
This review is based on a complimentary copy from the publisher and provided through Netgalley.
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